Billy Elliot
I can’t
quite believe it took me so long to see Billy Elliot. Despite the fact I love
musicals, and go to the theatre so often, I hadn’t seen a classic which ranks
highly in many people’s favourites.
I put
that right a few weeks ago, when my lovely friend Anthea came for a day trip to
London, and we headed along to a matinee.
I
think I was slightly apprehensive pre-show for a couple of reasons. Firstly, I
love the film so much, and it’s so fantastically made, that I wondered how the
stage version could compare. Secondly, having heard people rave about the show
for years, I wondered whether my expectations had been set too high.
It’s
safe to say my apprehensions were unnecessary.
Billy
Elliot the musical has all of the heart of the original film, and manages to
sustain that same juxtaposition of beautiful story of a young boy’s dreams
against the political backdrop of Maggie Thatcher and the miners’ strike.
The
show opens with Billy watching news reel clips, placing the show immediately
within its context, and ‘The Stars Look Down’ is a great opening number. The
combined voices of the male cast as the miners made a fantastic sound, one
which was rousing and at times incredibly chilling. This is also true in
‘Solidarity’, which is one of my favourite songs of the show. This scene
excellently presented the children’s ballet world and the strike alongside one
another, and summed up a real sense of ‘them and us’, and the united front of
the miners.
The
set was another impressive feature of the show. Walls around the side of the
stage provided the walls of Billy’s home, walls of the hall where ballet took
place, and also as the rows of terraced houses in the village. A spiral
staircase rising from a trapdoor added to Billy’s home, with a tiny bed set
atop it to create his bedroom. Other smaller parts to the set, such as
the toilet cubicles and wire fences leading to the mines were pulled out from
these side fixtures.
Our
Billy Elliot was the fantastic Thomas Hazelby, and he honestly blew me away. He
was immediately so likeable, and the audience were with him every step of the
way. His dancing was, of course, stunning, as showcased in ‘Swan Lake’,
performed as a duet with an older version of himself. The ‘Angry Dance’ at the
end of Act One was one of the most breath-taking moments of the show, and for
such a young man to portray such anger and frustration and violent passion in
such a raw way was just brilliant. ‘Electricity’ was another of his standout
moments, and was performed with complete confidence and passion.
Which
brings me onto the other person present onstage during that song: Dad. Deka
Walmsley was my favourite cast member, both in his moments of anger and his
moments of pride. I was in tears at his reaction to realising his son’s dreams,
and when he finally began to put his son’s future before his own. The father
character goes on such a journey in the story of Billy Elliot, and Walmsley
played the part to perfection.
Another
beautiful moment I must mention simply because of my theatre buddy Anthea’s
reaction: ‘The Letter (Mum’s Letter)’. This was so simple, yet so emotional and
beautifully performed that she was in bits (she may tell me off for passing
that one on!).
If
you want to see an absolute classic, complete with slick staging and fantastic
casting, I can now agree that Billy Elliot could potentially be one to book
your tickets for!
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