Green Day's American Idiot - Review
I wasn’t too sure what to expect when
I took my seat at The Arts Theatre for a matinee performance of American Idiot.
All I knew beforehand was that it was a musical based on the music of Green
Day, and purposefully had read nothing else about it, as I like to avoid
holding any preconceptions as far as possible.
On entering the small auditorium,
news clips were already playing on a small screen on the stage, mainly in black
and white, from the aftermath of 9/11. This was loud, to the point where normal
conversation was disrupted, and created a tense atmosphere even before the show
began.
Green Day’s American Idiot album was
written at a particular moment in time, and this is what the musical serves to
portray. Post-9/11, the country was changed forever, and the album attempts to
sum up the ‘new’ state of America. Though I’m familiar with many Green Day
songs, I hadn’t before paused to listen to this album straight through, and I
know now I was really missing the message.
The musical moves through the tracks
of the album, and treats the songs with utmost respect. There are none of the
remixed/drastically altered versions of songs seen in other ‘jukebox musicals’,
and there is a real feeling that the musical is an attempt to present the album
as written, rather than trying to loosely attach a story to the words of musicians.
The actors making up the cast were
excellently selected. It’s a show covering a whole range of styles and
hard-hitting themes, and had it been performed badly I think it could have been
very poor. To handle themes of war, drug abuse, suicidal thoughts, and the
wider state of America, takes a skilled cast with the talent to know when to
hold back, just as well as they know when to completely let go.
Johnny (Aaaron Sidwell) blew me away.
His voice and guitar-playing were fantastic, but he had such an incredible hold
over every element of his character, and it’s a character which goes on a tough
journey. One of the most intense moments of the show was a scene where he is
injecting himself in the bathroom. Minute after minute of silence was peppered
only with the sounds of him dropping a syringe, or taking sharp breaths.
Silence on stage is a powerful tool, and he handled this scene, and
similar scenes, brilliantly.
Alexis Gerred played a fantastic
Tunny, and his song from the hotel bed was one of the most stunning moments of
the show. You could hear pain in every note, and he was certainly one of the
clearest things I remembered on leaving the theatre. I also had a soft spot for
Will (Steve Rushton), who won my award for favourite voice, and beautifully portrayed
the ‘wasted life’ of a young man forced to stay behind due to personal
circumstances, while his mates travelled off to try and find themselves.
The St Jimmy character (Lucas Rush)
was a real standout, with a physical appearance setting him apart from the
other men, and an easy confidence that made it clear why Johnny would look up
to this ‘character’ as some kind of idol. The scene where this all unravels,
and Johnny replays their scenes together but taking his ‘rightful’ place as the
‘St Jimmy’ role was one of the most intense couple of minutes I’ve ever seen in
a musical.
Heather (Natasha Barnes) and
Whatshername (Amelia Lily) both had stunning, distinctive voices, which
beautifully punctuated the male-dominated track list. The cast for this show is
small, but the power between every voice is undeniable, and the wall of sound
created was of the highest standard.
The performance carries straight
through, with no interval, and as a result the intensity never drops. As I’ve
mentioned, the subject matters are heavy, and the music is strong, and the show
has been woven together in a way that really presents a ‘moment’ capturing the
American Idiot album. I’ve listened to it beginning to end multiple times
post-show, reliving the moments the cast shared.
Overall, I went in with few
expectations, and left very pleasantly surprised.
What I saw was a great cast, handling
fantastic music with respect, and using acting of the finest quality to present
stories you can’t help but be affected by. I urge you to get a ticket if
possible before the run ends, because I was truly impressed.
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