Showstopper! The Improvised Musical
An
improvised musical sounds like it could be either brilliant or terrible. Having
heard such good reports of Showstopper!
The Improvised Musical, though, the intrigue peeked and I clicked to buy
tickets.
I of
course can’t tell you about the show you’ll see, if you go, as every performance
is of a brand new musical. But I hope that by relaying what happened the night
I was there, you might see just what a fantastic night of entertainment it was.
(One of my colleagues booked his tickets immediately after I told him about
it!)
Housed
in a small auditorium at the Apollo, even those at the very back are only a
stone’s throw from the stage, heightening the sense of inclusivity throughout
the performance. Show number 640 opened with Sean McCann, ‘The Writer’ (and an
excellent, charismatic narrator throughout) receiving a call from his producer
demanding a new musical by 10pm. After appealing to the audience for setting
suggestions, he gave us the chance to whoop and cheer to select our favourite
one.
The
winner? A 1920s Shanghai opium den. Very specific!
The
title suggestion from another audience-member?
Shang-High.
The
next order of business was to throw five musicals at them, which would form the
basis of the song styles throughout the show. Our choices were an eclectic mix:
Cabaret, In the Heights, Anything Goes,
Avenue Q, and ‘any Disney’.
And
off they went. A Cabaret-style opening number introduced a honeymooning couple,
who would quickly be drawn into the seedy underworld of Shanghai’s opium dens.
Also present were the groom’s two brothers, who were scheming to get rid of
unbearable ‘it-girl’ Jane, their brother’s new wife. Along the way, they both
ended up having affairs with her… that’s the kind of thing that happens when
you spend your time in the smoky ‘Blue Oyster Bar’, according to the two lizard
ladies who had lost their own men.
The
second half brought us back to England, to face the consequences of the
extended time spent in Shanghai, at the huge stately home occupied by the
brothers and their parents. Somehow, in two hours, from the start-point of just
a setting, we had seen a full story, with beginning, middle, end, and plenty of
twists and turns.
Huge
credit must go to Ruth Bratt and Pippa Evans, potentially one of the best
double-acts I’ve ever seen on stage. The pair played a variety of characters,
from the ‘lizard ladies’, to the boys’ parents, to workers in the opium dens of
Shaghai. They played off one another perfectly, and I’m not sure there were
many audience members who weren’t in stitches at their one-liners and adopted
character traits. Their voices, too, were fantastic. Adam Meggido was another
favourite as one of the brothers, who was always there with a new prop, or a
little glance to the audience which would prompt plenty of laughter.
As
the show went on, every now and then The Writer would move the story along, and
bring in a new musical style from the list we had selected as an audience. I
was completely in awe of the way the cast plucked from nowhere full lyrics, and
very often dance routines, to meet the contexts and styles.
A
highlight was the ‘any Disney’ medley. The Writer paused and asked us to shout
out a few Disney films, and the results were The Lion King, The Jungle
Book, High School Musical and Frozen. Within seconds, the characters
had launched into my favourite song of the show, seamlessly moving between the
styles of these four very different musicals.
Throughout
the interval, we were encouraged to tweet to @theShowstoppers what we wanted to
happen next, and having kept an eye on the mentions coming in, I was intrigued
to see how on earth they would be worked in. But worked in they were, and we
ended up with a martial arts duel in the style of The Confrontation from Les
Miserables, and a beautiful song from Sarah-Louise Young in the style of Memory from Cats.
Cats
were a recurring theme (bizarre as it sounds), due to a small boy in the front
row being spotted clutching a copy of a book called ‘Kittens in Trouble’.
Suddenly, this was the favourite childhood story of the three brothers.
Prompted by an interval tweet, there was even a reading of a paragraph, set to
song, in the second half!
I
could probably write for pages and pages about the brilliance of this cast.
There were maybe two moments in the whole show where there was a tiny wobble,
which was immediately picked up and worked back into the performance. In a
two-hour improvised show complete with tonnes of songs, harmonies and full
dance routines, I’d say that’s pretty impressive.
The
laughs didn’t stop coming, and as an audience you felt completely involved in
the creation of what was unfolding in front of you. It’s exciting to be able to
contribute to what’s happening on stage, and to realise nobody but the people
in the theatre last Friday night will ever experience the show we did, in the
way that we did.
If I had
unlimited funds I would return night after night to see the fresh material this
group come up with. A fantastic night of musical comedy entertainment.
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